Arthur C. Clarke's classic in which he ponders humanity's future and possible evolution When the silent spacecraft arrived and took the light from the world, no one knew what to expect. But, although the Overlords kept themselves hidden from man, they had come to unite a warring world and to offer an end to poverty and crime. When they finally showed themselves it was a shock, but one that humankind could now cope with, and an era of peace, prosperity and endless leisure began. But the children of this utopia dream strange dreams of distant suns and alien planets, and begin to evolve into something incomprehensible to their parents, and soon they will be ready to join the Overmind ... and, in a grand and thrilling metaphysical climax, leave the Earth behind.
Ever since its first publication in 1992, The End of History and the Last Man has provoked controversy and debate. Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.
Art imitates life. Or does it? One sleepy Sunday morning in Buenos Aires, the protagonist of Martinez's brilliant new mystery finds himself unexpectedly tangled up in the story of Luciana, a former authors' assistant whom he has not seen for at least ten years, and Kloster, a rival writer - only far more successful; bestselling, in fact. What he discovers will make him question everything he had always believed - taken for granted - about chance and calculation, cause and effect. Luciana is desperate. In the decade since she last had anything to do with either of the writers, nearly all her close family have died, in highly unusual circumstances. And Luciana or her sister could be next. Luciana's convinced that her one-time employer Kloster is behind the deaths, punishing her for her part in the break-up of his marriage in a murderous frenzy of revenge worthy of one of his own prodigiously successful crime novels. But which comes first, murder or novel? Clever and gripping, THE BOOK OF MURDER is a chilling crime story in which the line between fact and fiction suddenly seems blurred.
The classic #1 New York Times bestseller that answers the age-old question Why is incompetence so maddeningly rampant and so vexingly triumphant? The Peter Principle, the eponymous law Dr. Laurence J. Peter coined, explains that everyone in a hierarchy—from the office intern to the CEO, from the low-level civil servant to a nation’s president—will inevitably rise to his or her level of incompetence. Dr. Peter explains why incompetence is at the root of everything we endeavor to do—why schools bestow ignorance, why governments condone anarchy, why courts dispense injustice, why prosperity causes unhappiness, and why utopian plans never generate utopias. With the wit of Mark Twain, the psychological acuity of Sigmund Freud, and the theoretical impact of Isaac Newton, Dr. Laurence J. Peter and Raymond Hull’s The Peter Principle brilliantly explains how incompetence and its accompanying symptoms, syndromes, and remedies define the world and the work we do in it.
Four years after his daughter is abducted and evidence of her murder is found in an abandoned shack, Mackenzie Allen Philips returns to the shack in response to a note claiming to be from God, and has a life-changing experience. Reprint. A #1 best-seller.
A delightful and moving account of one of the finest travel writers of the 20th century, the author of The Broken Road and A Time of GiftsIn 2009 Dolores Payás, Spanish translator of several of Patrick Leigh Fermor's books, visited her subject in his house in Greece for the first time. Out of this encounter emerged a friendship that lasted until Fermor's death in 2011. It was from those hours spent together chatting that this charming, personal, and soulful sketch of the English author and traveler was born—a man made fascinating by his life story, his charisma, his generosity, and his talent. This short book conveys a portrait of a man who became indomitable, proud, and charming in old age while retaining his other attributes. A snapshot of the colorful adventurer in his final years surrounded by drinks, guests, and above all his books, it is an original and witty study in nostalgia mixed with personal fortitude.