Back to the Rough Ground is a philosophical investigation of practical knowledge, with major import for professional practice and the ethical life in modern society. Its purpose is to clarify the kind of knowledge that informs good practice in a range of disciplines such as education, psychotherapy, medicine, management, and law. Through reflection on key modern thinkers who have revived cardinal insights of Aristotle, and a sustained engagement with the Philosopher himself, it presents a radical challenge to the scientistic assumptions that have dominated how these professional domains have been conceived, practiced, and institutionalized.
Marshall Gregory argues that teachers at the university and high school levels can achieve teaching excellence by grounding their teaching in pedagogical theory that takes into account students' abilities and the ultimate goals of teaching: to develop students' capacities for thought, reflection, questioning, and engagement to their fullest extent.
'It is scarcely possible to imagine a truly educated person who cannot read well. Yet it is not clear how or even if courses in literature actually work. How can teachers of English help students in their developmental journey toward becoming skillful readers and educated persons? This is the complex question that Chambers and Gregory address in Teaching and Learning English Literature. The authors consider practical matters such as course design and student assessment but do not shirk larger historical and theoretical issues. In a lucid and non-polemical fashion - and occasionally with welcome humor - Chambers and Gregory describe the what, why, and how of "doing" literature, often demonstr...
Powerful...Poignant...Inspiring As a child growing up in South Central Los Angeles, Gregory Marshall was enamored with the fast life. Money, women and cars were the things to have and Greg was determined to get them-by any means necessary. It wasn't long before the innocent youngster had turned into a cold-hearted gangster known around town simply as G Man. His ruthless life of crime made him a legend in South Central LA-and the go-to man for everyone from Tupac Shakur to the notorious Monster Kody. But a drug deal gone bad eventually left him shot and near death...forcing him into the ultimate struggle for survival. Faced with intense rehabilitation and paralyssis that had crippled the entire right side of his body, Greg had two choices, give up or get up. He chose the latter. And with the use of only one finger, he wrote his story through gritty, breathtaking, and sometimes brutal details...including his anger at injustices, the pain of abandonment and one unlikely act of kindness that started him on the path of healing and forgiveness.
The Guntersville Democrat was not the first newspaper to be published in Marshall County, but is the one most complete from the 19th Century. It was first published in October of 1880 by a Gadsden newspaperman, William M. Meeks. Over the years, it chronicled much of the early history of Marshall County. This second book in the series attempts to capture mentions of births, marriages, deaths and obituaries It also reproduces items of interest and importance in the development of the county--all with a full name index. In this volume you can find reports of the Marshall County Gold Mine, a haunted house, long lists of Confederate soldiers, the completion of the Tennessee and Coosa Railroad, and many other items of historical and genealogical significance. The early history of Marshall County is written on the pages of its newspapers. This book will be valuable to any student of the history and genealogy of Marshall County.
From award-winning author Daryl Gregory, whom Library Journal called “[a] bright new voice of the twenty-first century,” comes a new breed of zombie novel—a surprisingly funny, vividly frightening, and ultimately deeply moving story of self-discovery and family love. In 1968, after the first zombie outbreak, Wanda Mayhall and her three young daughters discover the body of a teenage mother during a snowstorm. Wrapped in the woman’s arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda—and he begins to move. The family hides the child—whom they name Stony—rather than turn him over to authorities that would destroy him. Against all scientific reason, the undead boy begins to grow. For years his adoptive mother and sisters manage to keep his existence a secret—until one terrifying night when Stony is forced to run and he learns that he is not the only living dead boy left in the world. From the Trade Paperback edition.
Do the rich descriptions and narrative shapings of literature provide a valuable resource for readers, writers, philosophers, and everyday people to imagine and confront the ultimate questions of life? Do the human activities of storytelling and complex moral decision-making have a deep connection? What are the moral responsibilities of the artist, critic, and reader? What can religious perspectives—from Catholic to Protestant to Mormon—contribute to literary criticism? Thirty well known contributors reflect on these questions, including iterary theorists Marshall Gregory, James Phelan, and Wayne Booth; philosophers Martha Nussbaum, Richard Hart, and Nina Rosenstand; and authors John Updike, Charles Johnson, Flannery O'Connor, and Bernard Malamud. Divided into four sections, with introductory matter and questions for discussion, this accessible anthology represents the most crucial work today exploring the interdisciplinary connections between literature, religion and philosophy.
She’s handling a bridezilla—and hunting a killer . . . Moving from Minnesota to Arizona was a big change for Sophie “Phee” Kimball. She’s much closer to her mother’s retirement community now—which can drive her a little crazy, but at least her mom, Harriet, has her book club and her chiweenie dog, Streetman, to keep her company. And now there’s even more activity, with Aunt Ina’s upcoming wedding. The seventy-four-year-old bride has roped Phee into working on the tent, the pastries, and even her headpiece in preparation for the ceremony. But it’s Harriet who really gets demanding when a dead body turns up yards from her front door. Aunt Ina’s fiancé is acquainted with ...