The first general handbook and reference guide for the study of British prehistoric pottery has now been revised and updated for a second edition. The work contains a thorough survey of the chronological development of pottery throughout prehistory and into the Roman period, as well as chapters on the development of pottery studies (from both typological and scientific viewpoints) and on the materials and methods used for the manufacture of pottery. The main part of the book is an extensively illustrated glossary in which pottery styles and types, materials and technology are explained in detail. Much of the data contained has been yielded by the authors' personal research projects, including microscopy and experimental studies and fieldwork with contemporary traditional potters.
The New Hamburg Pottery was one of the twelve potteries in Waterloo County, Ontario, during the last half of the nineteenth century. The works was a family-operated business during most of its history. It was owned by members of the Boehler family until 1894 then continued under a succession of owners until 1916. The pottery depended on a local supply of inexpensive clay, lead for glaze, and on a nearby market for the earthenware containers produced at the works. The New Hamburg works was one of the last potteries in the country to close its doors and one of a very few potteries in the province to operate beyond the first decade of this century. This book provides a history of the pottery, information about the site and the excavations, and the various types of pottery produced.
This well-illustrated book by a professional potter and teacher offers practical information about the processes of pottery making as well as insights into the meaning, history, and spirit of pottery forms. 177 striking photographs reveal the craft's subtleties and mysterious beauty.
A history of the pottery industry in Alberta, which began around the turn of the century in Medicine Hat, where clay deposits and natural gas were abundant. This is a dramatic story of temperamental entrepreneurs who were fierce rivals and who had fires, world wars, a depression, high freight rates and cheap imports to contend with.
This book catalogues and discusses all Archaic Greek pottery found on the Iberian Peninsula. The analysis of Greek pottery finds in Eastern Andalusia provides an exemplary study of trade in the Classical Age. The reader will find many insights in the pottery trade and the native Iberians view of Classical Greek pottery.
A synthesis of research on earthenware technologies of the Late Archaic Period in the southeastern U.S. Information on social groups and boundaries, and on interaction between groups, burgeons when pottery appears on the social landscape of the Southeast in the Late Archaic period (ca. 5000-3000 years ago). This volume provides a broad, comparative review of current data from "first potteries" of the Atlantic and Gulf coastal plains and in the lower Mississippi River Valley, and it presents research that expands our understanding of how pottery functioned in its earliest manifestations in this region. Included are discussions of Orange pottery in peninsular Florida, Stallings pottery in Geor...
Understanding the passions fueling three of America's most provocative potters Pottery, Politics, Art uses the medium of clay to explore the nature of spectacle, bodies, and boundaries. The book analyzes the sexual and social obsessions of three of America's most intense potters, artists who used the liminal potentials of clay to explore the horrors and delights of our animal selves. The book revives from undeserved obscurity the far-southern Illinois potting brothers Cornwall and Wallace Kirkpatrick (1814-90, 1828-96) and examines the significance of the haunting, witty, and grotesque wares of the brothers' Anna Pottery (1859-96). The book then traces the Kirkpatricks' decisive influence on a central figure in the American arts and crafts movement, George Ohr (1857-1918), known as "the Mad Potter of Biloxi" and arguably America's greatest potter. Finally, the book gives a new reading to Ohr's contorted yet lyrical and ecstatic works. Abundant full-color and black-and-white photographs illustrate this remarkable art, with images of many Kirkpatrick and Ohr works being published here for the first time.