German text only. The scarcity of ideas of a mass exhibition is a leap from quality to quantity and it constructs uselessness, a reconstruction of that which one would have liked to have at the outset of a career, namely a parade, a demonstration of the idea of autonomy, i.e. of the uncontrolled, uncurated, and unmanipulated. Instead it is what one gets when a career declines, what comes to the fore. A merging of the private into art, yet from there into the public, into the space you enter, the space you will find yourself in if you have come. Namely an uncurated exhibition with 'artist friends' (artist friends aren't friends without art, but artists with whom to symbiotize in a coexistence (to take a noun and to verbalize it)). But don't let yourself be put off by this toying with grammatical terms - they are meaningless and, as it were, ingenerative.